object space graphicsMOSTOVSHCHIKOV
PAVEL
VISUAL ARTIST

In this project, I seek to personalize the identity of the psychological concepts familiar to everyone. In other words, to visualize inanimate psychological terminology as individual portraits.

The original idea is to visualise analog drawing machine in three-dimensional space.All objects made with single line.

This is the concept of adapting the web browser into AR space, and adapting the IMDB service into spatial layout.

I am a co-founder of "around" studio that designs and develops AR interfaces for wearable devices.

I was the art director and interface designer on a design project for one of the floors of the museum of the future in dubai. The project was done with AltSpace team.

With AltSpace team we did a huge project for an international brand of drinking water supplies. I was the art director of the project and developed the identity for the company.

Concept of an augmented reality application, where the sculpture from the British Museum has interactive and informational layers.

This project features CGI visuals of the iconic lightsaber from the Star Wars Universe, crafted by Khal Jahromi. I created the look dev, style frames, and a promotional video to showcase the product on the official KR Sabers online store.

In this project, I aimed to create eye-catching and technically sophisticated visualizations of traditional ergonomics diagrams using scientific data. The goal was to give a fresh look to iconic schemes from the mid-20th century.

Touch display interface concept made in collaboration with Dobro CCS for the movie Major Grom: Plague Doctor.

Rethinking the design elements of Obi-Wan's classic lightsaber from the movie "A New Hope." Creating interfaces that align with the forms, structure, and design principles of the Star Wars cinematic universe

The notion of merging natural and artificial has always captivated my interest. In this project, I developed a concept for plant communication through AR interfaces. The goal was to design interfaces that mirrored the natural and organic shapes of the plants themselves.

This non-commercial project combines several of the most fascinating and inspiring areas for me: measuring instruments, graphic design, and AR interfaces.